In the May issue, Vanity Fair reports on “The Knoedler Gallery Forgery Scandals and Shuttering“. It’s an insightful article by Michael Shnayerson on Ann Freedman and the scandal involving the “David Herbert Collection” treasure trove, including works by Willem de Kooning, Mark Rothko, Barnett Newman, Clyfford Still, Franz Kline, and Jackson Pollock, now thought to be complete fakes.
After 165 years, the Knoedler Gallery shut its doors last November amid allegations it sold forgeries, though Knoedler has said that the closing was a business decision unrelated to the lawsuits that have been filed against them. Knoedler, at 19 East 70th Street, had been rattled by a series of changes over the past four years, including the recession in 2008. In October 2009, Ann Freedman, the gallery’s president and an employee of 31 years, resigned. Two months later, the gallery put the landmark Italian Renaissance-style town house that it has occupied for the past 41 years on sale for $59.9 million. In February 2011, the building was sold for $31 million. In November 2011, the gallery announced it was closing.
Once thought to be one of the most respected galleries of fine art, there is a big cloud hanging over Knoedler’s head. When I saw old Knoedler gallery labels on the back of paintings, I got excited. I knew that they handled the best and that the work was authentic almost without question. Now, I need to re-think. Knowing now that it’s very likely that Knoedler sold forgeries at times, I cannot make the assumption that works with a Knoedler label must be right.
Nobody’s perfect. Galleries and auction houses can make mistakes. But the best companies will correct their mistakes immediately….reputation saved. It’s more difficult though, when your mistakes are worth tens of millions. That’s alot money to refund at a moment’s notice. It will be interesting to see how the court cases proceed over the next few years.